Associate Professor of Religious Studies
Leela Prasad's primary interests are in the anthropology of ethics, the theory and practice of Hinduism, poetics, and religion & modernity. Her work examines the lived, expressive dimensions of ethics in Hindu and other Indic contexts through various lenses such as narrative, art and ritual, and everyday practice. She puts these findings in conversation with wider debates in ethics on normativity, subjectivity, aesthetics, temporality and the public, for instance. Her ethnographic book Poetics of Conduct: Narrative and Moral Being in a South Indian Town (Columbia University Press, 2007) explores how ethical discourses and self-formation can be understood through a study of oral narrative, performance, vernacular material practices ranging from architecture to foodways, and the poetics of everyday language. (This book was awarded the “Best First Book in the History of Religions Prize” by the American Academy of Religion in 2007.)
Leela’s second monograph (in progress), titled The Audacious Raconteur, builds an archive from the unofficial anthropology and literary writings of three little-known Indian scholars in late colonial India. These writers, who constitute the figure of the “audacious raconteur,” published novels, plays, folktale collections, oral epics, and biographies in English and in Indian languages between 1880 and 1930. Through a close study of their key writings, the book will argue that these writers creatively used the very language, genres, and paradigms of the West to reclaim concepts of religion and history through indigenous understandings of the sacred, of the social, and of time. As such, the audacious raconteur was a political subject whose intellectual sovereignty displays the unreachability of the colonial knowledge-project. The book benefited from a surprising turn with the discovery of descendants of the writers. Conversations with families help us see why the audacious raconteur continues to be an ethical figure necessary in modern life.
A key area of Leela's interest is documentary film. She is currently co-directing an ethnographic documentary film called Moved by Gandhi that explores the Gandhi, not of the well-known chronologized biography, but of an affective presence that has outlived its historicity and simply moves people to be one way or the other.
Leela's work typically combines ethnography and ‘textual’ study to understand the dialogue and distinctions between early Indic constructs and modern formulations, such as “shastra” (or law, rules of conduct). She has also begun to explore the potential of modern science, especially physics, as she probes an anthropology of ethics, and is writing on subjects such as resonance, entanglement, and uncertainty.
Leela is fluent in the Indian languages of Telugu, Kannada, Marathi, and Hindi. She was the inaugural director for the Duke Center for Civic Engagement, served on the Board of the Center for Documentary Studies for many years, and served on the steering committee of the university-wide Mellon-funded transformative humanities initiative at Duke called Humanities Writ Large.
Prasad, L. Poetics of Conduct: Oral Narrative and Moral Being in a South Indian Town. Columbia University Press, 2007.
Prasad, L, Bottigheimer, R, and Handoo, L. Gender and Story in South India. Ed. L Prasad, RB Bottigheimer, and L Handoo. State University of New York Press, Albany, NY., 2006.
Prasad, L. Live Like the Banyan Tree: Images of the Indian American Experience. Philadelphia: The Balch Institute for Ethnic Studies., 1999.
Prasad, LEELA. "Hinduism in South India." Hinduism in the Modern World. New York: Routledge, 2015. 15-30. (Chapter)
Prasad, L. "Constituting Ethical Subjectivities." The Cambridge Companion to Religious Studies. Ed. RA Orsi. Cambridge University Press, 2011. 360-379.
Prasad, L. "Ethical Subjects: Time, Timing, and Tellability." Ethical Life in South Asia. Ed. A Pandian and D Ali. Bloomington, IN: Indiana University Press, 2010. pp. 174-191.
Prasad, L. "Sita’s Powers: ‘Do You Accept My Truth, My Lord?’ A Women’s Folksong." Ramayana Stories in Modern South India: An Anthology. Ed. P Richman. Bloomington, IN: Indiana University Press, 2008.
Prasad, L. "Celebrating Allegiances, Ambiguated Belonging: Regionality in Festival and Performance in Sringeri, South India."." Region, Culture, and Politics in India. Ed. R Vora and A Feldhaus. Manohar Publications, New Delhi., 2006.
Prasad, L. "Anklets on the Pyal: Women Present Women’s Stories from South India." Gender and Story in South India. Ed. L Prasad, R Bottigheimer, and L Handoo. SUNY Press, 2006. 1-33.
Prasad, L. "Hindu Goddesses" (254-259); "Character Stereotypes in Folklore" (107-109); "Folklore about the British" (77-79); "Hospitality" (287-89); "Mary Frere" (232-233); "Pandit S. M. Natesa Sastri" (436-438)." South Asian Folklore: An Encyclopedia. Ed. M Mills, P Claus, and S Diamond. New York: Routledge, 2002.
Prasad, L. "Bilingual Joking-Questions: Narrating Ethnicity and Politics in Indian Citylore." Folklore in Modern India. Ed. J Handoo. Mysore, India: Central Institute of Indian Languages, 1998. 211-225.
Prasad, LEELA. "Cordelia’s Salt: Interspatial Reading of Indic Filial-Love Stories." Oral Tradition 29.2 (2015): 245-270. Open Access Copy
Prasad, L. "Text, tradition, and imagination: Evoking the normative in everyday Hindu life." NUMEN-INTERNATIONAL REVIEW FOR THE HISTORY OF RELIGIONS 53.1 (2006): 1-47. Full Text
Prasad, L. "Conversational narrative and the moral self - Stories of negotiated properties from south India." JOURNAL OF RELIGIOUS ETHICS 32.1 (2004): 153-174. Full Text
Prasad, L. "The Authorial Other in Folktale Collections in Colonial India: Tracing Narration and its Dis/Continuties." Cultural Dynamics 15 (2003): 5-40.
Prasad, LEELA. "Co-being, A Praxis of the Public: Lessons from Arendt, Hindu Narrative and Gandhi." Journal of the American Academy of Religion forthcoming. Open Access Copy
Prasad, BABA. "Moved By Gandhi: A story of resonance. (In preparation)" (2017). (Visualization)
Prasad, L. "A Home for Keerti: The Halftones of Civic Engagement." (Digital Edition)